May 22, 2015

Wiki Friday: Brazilian Jiu-Jitsu

Or, Why I spent the morning watching UFC videos on YouTube


Yesterday a friend showed me some Jiu-Jitsu moves on the grass at Douglas Park. She told me about the history of Japanese Judo masters passing knowledge on to Brazilians,  the Gracie family in particular, who then adapted the practice to focus more on the a defensive ground game.

Wikipedia:
Brazilian jiu-jitsu emphasizes getting an opponent to the ground in order to use ground fighting techniques and submission holds involving joint-locks and chokeholds.
Apparently competitions often ban certain joint-locks­, namely the ones that can permanently damage knees and spines.

And about those chokeholds:
In BJJ, the chokes that are used put pressure on the carotid arteries, and may also apply pressure to the nerve baroreceptors in the neck. This kind of choke is very fast acting (if done properly) with victims typically losing consciousness in around 3–5 seconds. In contrast, an air choke (involving constriction of the windpipe) can take up to two minutes, depending on how long the person can hold their breath, and may cause serious damage to the throat.
There is definitely something about understanding a sport that makes it more enjoyable to watch. I would never expect to be enthralled by a 13-minute YouTube video about the role of Jiu-Jitsu inthe first Ultimate Fighting Championship, November 12, 1993 in Denver Colorado. But I was.

Ken Shamrock, who fights in an amazing red Speedo, describes his first fight in the ring with an undefeated bare-knuckle boxer:

“I crank his heel. I break his leg. He taps out.”

“They [the audience] were mad. No one understood what submission was.”

But Shamrock’s submission moves failed to match those of Royce Gracie, the smallest of the famous family, who beat Shamrock in the final round of that first UFC.

“There’s the tap. There’s the tap.”

Seeing Shamrock tap the mat, with pretty intense urgency, is meaningful when I know that he may well be 3 seconds away from unconsciousness, because of these crazy chokeholds.

“I’m sitting there on the ground, wondering ‘How in the world did he do that?’”


Cool.

April 7, 2015

An Age Like This: Orwell and Klein


I recently read An Age Like This, a compilation of Orwell's essays and letters from 1920 to 1940.

I sat down to share some quotations, including one about a "broken-down old wreck" of a goat "worn out by about 20 years of fucking his own sisters, daughters...", but instead I want to draw a line between him and me (him being Orwell, not the goat).

George Orwell, or Eric Blair if we want to use his real name, had no early aspirations to write the anti-authoritarian heavyweight 1984. He liked gardening, raising animals, and carpentry. In an ideal world, he would have lived in his cottage in the country and slowly accumulated a classic oeuvre, at a pace of a book a year.

Instead, the Spanish Civil War made such a lifestyle financially and philosophically impossible. Even after his life-changing experience of joining the war in Spain and writing Homage to Catalonia, he expressed some distaste for writing overtly about politics:

I hate writing that kind of stuff and am much more interested in my own experiences, but unfortunately in this bloody period we are living in one’s only experiences are being mixed up in controversies, intrigues, etc.

"One's only experiences are being mixed up in controversies"–this made me think of this age, and a passage from Naomi Klein's most recent book on climate change vs. the economy, This Changes Everything. She writes:

dropping out and planting vegetables is not an option for this generation. 

the fossil fuels runaway train is coming for us one way or another. 

In an ideal world, maybe I would devote myself to researching Turkic languages. But I do see the runaway train coming.

January 16, 2015

"constraints aping marriage develop"


The first breath of adultery is the freest; after it, constraints aping marriage develop.

I had never read anything by John Updike, so I didn’t know what all the hype was about until I began Couples. The hype is due. He is one hell of a writer.

So repulsive, Freddy assumed the easy intrusiveness of a very attractive man.

Magnolia buds swollen by heat

I went down to swim–delicious, like being inside a diamond

Rather, Updike is one hell of a thinker, because you have to think of these countless metaphors, insights, and poignant images, in order to write them down. The linguistic fruits flourish so lushly on each page that you have to stop trying to acknowledge each one, lest you never finish the book. He’s funny, too, obviously. I don’t even mind the self-indulgent wanderings and bold generalizations.

Every marriage is a hedged bet. Foxy entered hers expecting that, whatever fate held for them, there were certain kinds of abuse it would never occur to her husband to inflict. He was beyond them, as most American men are beyond eye-gouging and evisceration. She had been right. He had proved not so much gentle as too fastidious to be cruel.

Every marriage tends to consist of an aristocrat and a peasant. Of a teacher and a learner.

With these I stopped and thought, “Is this true? Have I felt that way?” and recruited experiences to weight the balance.

The novel is about marriages and everyone cheating on each other, in a Waspy little town in the American northeast. I imagine the book was more shocking when it was published in 1968 than it is now, almost 50 years later.

“I can think of no other novel, even in these years of our sexual freedom, as sexually explicit in its language… as direct in its sexual reporting, as abundant in its sexual activities,” wrote Diana Trilling for The Atlantic Monthly. [This is on the back cover, like an advertisement.]

Game of Thrones is more abundant in sexual activities, I can tell you, after binge-watching the first two seasons this Christmas. So what struck me more than the sex–although I did have a huge laugh when one character refers to a blow job as ‘sodomy’–were the descriptions of people and their perceptions: so precise and novel, yet potentially recognizable.

When Foxy prods her husband and realizes he would never cheat on her:

“Well, they say a man gets his first mistress when his wife becomes pregnant.”

He looked over at her too surprised to speak, and she realized that he was incapable of betraying her, and marveled at her own disappointment

 How two cheating partners feel about their spouses:

They talked [...] about Harold and Janet, who, as they obligingly continued to be deceived, were ever more tenderly considered, so that they became almost sacred in their ignorance, wonderful in their fallibility, so richly forgiven for their frigidity, demandingness, obtuseness, and vanity that the liaison between their spouses seemed a conspiracy to praise the absent.

"General courtesy" becoming the force behind two couples swapping partners:

…obligingness had become a part of it; they had reached, the Applesmiths, the boundary of a condition wherein their needs were merged, and a general courtesy replaced individual desire. The women would sleep with the men out of pity, and each would permit the other her man out of an attenuated and hopeless graciousness. Already a ramifying tact and crossweave of concern were giving their homes an unhealthy hospital air.

And, fine, some sexy stuff:

…until, he biting her, she clawed his back and came. Could break his neck. Forgotten him entirely. All raw self. Machine that makes salt at the bottom of the sea.

Mouths, it came to Piet, are noble. They move in the brain’s court. We set our genitals mating down below like peasants, but when the mouth condescends, mind and body marry. To eat another is sacred.

[Foxy writing to Piet] ...the softness of the air, stepping from the plane in San Juan, like a kiss after fucking–oh lover, forgive me, I am sleepy.

After weeks of chastity I remember lovemaking as an exploration of a sadness so deep people must go in pairs, one cannot go alone.